HOW TO PROPERLY SUBMIT COMIC BOOKS THROUGH THE U.S. POSTAL SERVICE MAIL

HOW TO PROPERLY SUBMIT COMIC
BOOKS THROUGH THE U.S. POSTAL SERVICE MAIL

Greetings! I’m here today to help prevent
your beloved comic books from getting damaged in the mail.
This will also help you to be a better ebay seller, too if
you are one of “those” people. These are strict
recommendations if you are submitting books to me directly.

This is the exact way I submit books to CBCS
or CGC or my convention facilitator.

I will provide links to everything I have purchased on ebay.
Always buy your shipping supplies on ebay.
It’s the cheapeast and quickest way to ship your books. Trust
me.

You will need:

5lb. Weighmax Mail Scale
Clear Shipping Tape Rolls
Shipping Tape Gun
BCW Comic Book Backer Boards
BCW Silver Age Bags
1″ Blue Painter’s tape (skinny roll)
Fragile Shipping Tape
Knife
Sharpie Marker
Computer with a Printer for Printing a USPS Label

You will also need boxes and jiffy mailers. For comics you
can use 12x12x4 boxes which are cheaper via USPS because they
are under 12″. Graded books should be shipped the same
way but inside a 14x14x4 box instead.

GeminiII Comic Book Mailers
12x12x1 Boxes
14x14x4 Boxes
Styrofoam Peanuts

Now that you have your supplies and for super cheap on ebay…you’re
on your way to buying and selling comic books through the
mail. Let’s begin, shall we?

Today we are going to mail SPAWN #9 to myself. The first appearance
of Angela, Thor’s sister! Place your comic book carefully
inside a mylite2 with fullback (preferred) or use BCW silver
age bag and boards.

Fold up the Gemini II comic mailer along the perforated edges
for the comic book. You can safely ship up to 10 books this
way, alternating spines along the staple line. Be sure to
use a yard stick or ruler to pre-fold out your lines or you
will damage your spines.

Place the comic book(s) face down. You are going to place
strips of blue painters tape along the sides. Do not be a
“Jerry Smith” and put blue tape over the scotch
tape on top flap.

Place 1 strip of tape on each side as pictured below:

If you are super worried about sharp corners and razor sharp
sides (attempting to obtain a 9.8 or higher grade) you should
definitely tape the corners at a diagonal was well. See below:

Carefully fold over your flaps, checking slowly that there
is no bend to the comic book. See method below as pictured:

3 (Three) peices of tape when it’s all closed up carefully.
2 along the top and bottom flap edges and one for good measure
in the centerline. See pictured:

Back of Gemini II Mailer. You can see the top and bottom tape
flaps over side.

Print your name clearly in black sharpie. Write your email
address. Write your phone number too in case there is a problem.
Also you should write out the name of the comic book title(s)
and issue #. Write clearly and legibly. You are not a doctor.

Okay now set that aside somewhere. Somewhere safe from children,
coffee, mountain dew, or anything else might sprinkle on it.
We are going to build a box! Get ready. It’s hard.

Let’s make sure that box survives the USPS. Use 3-4 pieces
on the bottom outer flaps. Use tape to tape in inside bottom
flap too.

On the sides, I’ve seen boxes get blown out from stress or
other boxes on top. Use tape on that corner seam that’s merely
glued. Tape the inside too. Don’t be lazy. Go beyond what’s
necessary. After all, you just bought like 25 rolls of clear
packing tape, right? Okay then, tape away!

So now I’m going to show you the inside of the box to re-iterate
what I was stressing about the corner seam of these boxes.
Tape away with all that extra tape, brah.

Sprinkle some magical fairy dust otherwise known as styrofoam
peanuts in the bottom of the box, only enough to where you
can’t see the bottom. Shipping peanuts is fun to give, but
never to receive. So you have that going for you, right?

Place your books with the writing side up and place some remaining
packing peanuts on top of the comic. Only enough to which
you still have a half inch to an inch of space between the
top of the box and the top of the layer of peanuts. You do
not want to crush your books with the box flaps because you
overstuffed the box with peanuts!

Now you are ready to seal the box up. Place fragile stickers/tape
on the corners and bottom of the box. Print out your USPS
shipping label from the USPS website and affix it to the top
of the box.

Bottom of box:

You have now packaged a box of comics inside a box to be shipped
out. Congrats! See? Wasn’t that easy?

I hope this guide helps you as it has helped me over the years.
I have been selling on ebay since 2010 and I learned slowly
over time all of these tips. I’m here to share them all with
you on this page.

Thank you!

Dry Heat Pressing Comic Books

I have decided to try and dive into the subculture and rabbit hole known as comic book pressing.   I decided to invest in a  professional grade t-shirt heatpress machine for this adventure. It makes perfect sense because KaptainMyke is already in the business of t-shirt designs and heatpressing silkscreen art.

Where to begin? I’ve read and seen countless examples of bad pressing. Scorched books, waves or ripples appear on the comic book several hours or days later. Many times the comic book returns back to its original shape before pressing – like a memory foam mattress!   I am not here to endorse amateur pressing but I am posting here my findings and experiences so far.   Temperature and moisture levels are key.   So what is one to do when water or moisture is paper product’s worst enemy?

I thought I would try the realm of singular heat/cold exchange on pressing. You press a book for 20 minutes, flip the book over for an additional 20 minutes, and turn off the unit…leaving the book inside the press for 4 hours after. This proved to be wildly successful…so here goes my photo documented results with my very first press.

I used one of my son’s new comic books. It’s a brand new Newsstand Edition copy of Scooby Doo Team-up #27, featuring Plastic Man. This comic book is rough! My son is 10 years old and autistic, so he frankly does not care at all what happens to the book, so long as the book is opened to the page he likes the most, and on the floor for him to look at anytime in any random moment of his choosing to admire.

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and creased front corner. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and creased front corner. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and creased front corner. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and creased front corner. Yikes!

I regret I didn’t take enough photos of the back but here are a few good angles for you to inspect:

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and waves on the back cover. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and waves on the back cover. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and waves on the back cover. Yikes!

The first trial comic book pressing: 2017 DC Comics Scooby Doo Team-up ft Plastic Man #27. You can see the wrinkles and waves on the back cover. Yikes!

I used 2 sheets of normal copy paper on top and below the comic book inside the heat press.

I used 2 sheets of normal copy paper on top and below the comic book inside the heat press.

I used 2 sheets of normal copy paper on top and below the comic book inside the heat press.

I used 2 sheets of normal copy paper on top and below the comic book inside the heat press.

I tried an initial temperature of 160 degrees Fahrenheit for 20 minutes on each side. This seems to be the best temperature but today I am trying 170 degrees.

The trick is to turn off the heat press after the second 20 minutes and leave the comic book inside the heat press for an additional 1-4 hours, depending on the severity of the the initial creasing and waviness of of the book. Leaving the book in the press is crucial if you do not wish to use a sinus cold or clothes fabric humidifier. I do not suggest using humidity on the book. It’s called a “dry press” and “dry cleaning” for a reason. Leaving the book in the press for as long as possible will prevent the book from returning to its original “memory foam mattress” condition.

After 4 hours later, here are the results of the first comic book pressing by KaptainMyke:

Results of first press. Back of book. Top down top left side of back cover.

Results of first press. Back of book. Top down top left side of back cover.

Results of 1st comic press. Front of cover. You can see the crease on the bottom right corner to see it's the same book.

Results of 1st comic press. Front of cover. You can see the crease on the bottom right corner to see it’s the same book.

Results of 1st comic press. Top down left side view of front of book.

Results of 1st comic press. Top down left side view of front of book.

Spine results of first press. You can obviously see the color breaking spine ticks but overall previous damage of spine is nonexistent.

Spine results of first press. You can obviously see the color breaking spine ticks but overall previous damage of spine is nonexistent.

Bottom right front corner of book shows the color breaking corner crease but it is flattened out very smooth and flat.

Bottom right front corner of book shows the color breaking corner crease but it is flattened out very smooth and flat.

Results of first press. Back of book. No damage.

Results of first press. Back of book. No damage.

Results of first press. Back of book. Top down left side of back cover.

Results of first press. Back of book. Top down left side of back cover.

Results of first press. Back of book. Top down top side of back cover.

Results of first press. Back of book. Top down top side of back cover.

Results of first press. Back of book. Top down right side of back cover.

Results of first press. Back of book. Top down right side of back cover.

Results of first press. Back of book. Top down right side of back cover.

Results of first press. Back of book. Top down right side of back cover.

Results of first press. Back of book. Top down top left side of back cover.

Results of first press. Back of book. Top down top left side of back cover.

Results of first press. Back of book. Top down top left side of front cover.

Results of first press. Back of book. Top down top left side of front cover.

Results of first press. Back of book. Top down top right side of front cover.

Results of first press. Back of book. Top down top right side of front cover.

As you can clearly see, for my first trial run of dry heat pressing a comic book, the results are wildly remarkable and astounding.  Total success!  There are a few remaining dings but for my first press this is fantastic.

A few things I’ve learned:
Use copy paper on the top and back of cover for pressing.
Pages with glossy magazine paper will stick together when temp is too hot.
When this happens, wait for book to completely cool down before separating out pages stuck due to modern high gloss paper.
Do not press books with a square bound spine, such as graphic novels like The Dark Knight Returns or The Killing Joke.
Spine rolls are not a problem. The press easily resets spine rolls but you will have color breaks most likely.

The name of the heat press is a VEVOR Digital Controller heatpress machine. Model CP230B. Temperature can be adjusted from 100-400 degrees.  Brand new they can retail for $250-$400.  Used you can buy one for $150 but you will need a new bottom pad most likely.

EDIT:  So CBCS comics suspended my account for 7 days and deleted my post on the forum at forum.cbcscomics.com.  

I guess free information exchange isn’t allowed.   I was also not aware this was against company forum policy since they have not updated their terms of use.  

Amateur pressing should not threaten their business model.  

 

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

VEVOR Headpress Machine. Swivel stand and pressure screws give this heat press total flexibility for various sizes and shapes of books. The pressure plate screws will help adjust for all different sizes and thickness of books.

Here are the results of some more books I’ve recently worked on. I performed a sort of dry cleaning and dry heat pressing on the following books:

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. This one is beat up and has bad spine creasing with color breaks. Before heat pressing.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. This one is beat up and has bad spine creasing with color breaks. Before heat pressing.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. This one is beat up and has bad spine creasing with color breaks. Before heat pressing.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. This one is beat up and has bad spine creasing with color breaks. Before heat pressing.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

1988 DC Comics BATMAN #428 1st Printing NEWSSTAND EDITION. After heat pressing and spine realigment.

Next I tried a cheap newsstand edition of Supergirl from 1994. This one had bad wrinkles and wave in it throughout the entire book. Looks like moisture possibly hit the book. Here are the results:

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. Bad waves, wrinles, and appears to be moisture damage. Before dry cleaning and heatpress.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1994 DC Comics SUPERGIRL Vol 3 #1 NEWSSTAND EDITION. After dry cleaning and heatpressing. Waves and wrinkles gone. Interior pages are flat and bright white. Back cover is flat and creases gone but color breaks still evident.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. BEFORE dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER  dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER  dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER  dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER  dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER  dry cleaning and heatpress and total spine realignment.

1966 Marvel Comics AVENGERS #32. AFTER dry cleaning and heatpress and total spine realignment.

How to Window Bag/Prep Comic Books for Comic Conventions! A Step by Step Guide.

Greetings!

I’m here to tell you how to prep your comic books for comicons like San Diego Comicon or MegaCon or even the big New York Comicon as well!  Here we go:

Today we will window prep an Amazing Spider-man #1 for Stan Lee to sign! You will need: Mylite2 and Fullback, 1 exacto knife, 1 sharpie black marker, skinny blue painter's tape from the hardware store, and a small cutting board from a kitchen department store area like at Target or Walmart.

Today we will window prep an Amazing Spider-man #1 for Stan Lee to sign! You will need: Mylite2 and Fullback, 1 exacto knife, 1 sharpie black marker, skinny blue painter’s tape from the hardware store, and a small cutting board from a kitchen department store area like at Target or Walmart.

First you need a few tools:

Mylites2 and Fullbacks are recommended for absolute protection of your 9.8s and 9.9s. Ultro Pro works, but I suggest otherwise.

Mylites2 and Fullbacks are recommended for absolute protection of your 9.8s and 9.9s. BCW works, but I suggest otherwise. Do not use Ultro Pro.

An alternative to Mylites2 and Fullbacks, I would use BCW bags and BCW boards. No ultra pro. No way.

An alternative to Mylites2 and Fullbacks, I would use BCW bags and BCW boards. I do not personally like Ultra Pro because they bubble and wrinkle a lot.  This can cause problems possibly during the handling of your book.  This is only a personal preference however, do not let me scare you away from Ultra Pro.

 

Now you will need to place the fullback inside the mylite2 and slide the cutting board inside the bag/board:

Cut a hole where you want the signature to go:

Slide the cutting board out of the bag/board. Place skinny blue painter’s tape around the window you cut.

Double wrap the corners with 1″ pieces of skinny blue painter’s tape:

When placing blue painter’s tape at the top corners, be sure to place the tape below the flap line so it doesn’t get stuck when the grader is trying to remove the comic!

Write on the window box who you want to sign the comic book. In this example, Stan “The man” Lee:

When you slide the comic book in the bag/board, be sure to watch the bottom of the window against the bottom edge of your comic book:

On the opposite side, type or write on the backer board your name, address, phone number, email address. Seal the bag/board with only 1 peice of skinny blue painters tape for easy removal for the grader.  Tape or write your details sheet to the backer board that is slid inside the mylite2.

In the space provided below, write the year, title, publisher, and name of the comic book along with issue number. Write who you want to sign the book, and instruct what services you want provide. This includes any additional instructions, and fast pass, yellow label authorized signature witness, pressing, etc.

You have now finished prepping your book.
Good luck!

Of course, there are other artists, and other creators. Sometimes I feel the placement is just as important. This is how I prep all my J Scott Campbell books for his sweet Amazing Spider-man variants:

How I prep a J Scott Campbell book for his signature.

How I prep a J Scott Campbell book for his signature.

Stan Lee is getting older, and I’ve been told by some he needs more room to see where he signs. I frequently have asked for Stan Lee’s signature right on top of the THOR or SPIDER-MAN logos here:

Alternative method for prepping a Stan Lee signed comic book. Right across the top logo, plenty of space for him to sign. Good eye appeal, too.

Alternative method for prepping a Stan Lee signed comic book. Right across the top logo, plenty of space for him to sign. Good eye appeal, too.

One thing to mind is if you have tape overlapping the sides, protect the book behind it! It might not even be your book!

Do not allow tape to overlap the sides of your book! It will harm the book behind it possibly.

Do not allow tape to overlap the sides of your book! It will harm the book behind it possibly.

So use an extra piece of tape and wrap that bad boy all the way around the sides so there is NO TAPE STICKINESS on the opposite site of your book:

Double wrap any tape hanging off the sides!

Double wrap any tape hanging off the sides!

Sketch covers. What if you want a sketch? Or, better yet: What if you have like 5 people you want to sign your book? Make a BIG WINDOW!

Large window bag prep for a sketch cover book or multiple signatures. This is a good method if you absolutely don't care where your signatures go.

Large window bag prep for a sketch cover book or multiple signatures. This is a good method if you absolutely don’t care where your signatures go.

There are drawbacks, however. If you make the window too big it can bend outwards and defeat the purpose of protecting the edges of your book. Try not to make it too big. If so, double tape it with overlapping strips:

A window bag that is too big can bend outwards so double tape if this happens.

A window bag that is too big can bend outwards so double tape if this happens.

Example of a sketch cover in progress inside a large window bag prepped comic book.

Example of a sketch cover in progress inside a large window bag prepped comic book.

 

I’ve been given some sneak peeks at some books from my convention facilitator, Matt Saltzman from Trinity Comics Convention Facilitator Services. Check them out, look! This gives you an idea what they look like before getting sent off for grading with CBCS and CGC:

1991 DC Comics BATMAN #563 High Grade Newsstand Edition Early cover art by J Scott Campbell. Probably the only Batman cover before DKIII

1991 DC Comics BATMAN #563 Early cover art by J Scott Campbell. Probably the only Batman cover before DKIII

Mirage Studios Teenage Mutant Ninja Turtles #7 Second Printing, very rare Ultrom cover art by Kevin Eastman.

Mirage Studios Teenage Mutant Ninja Turtles #7 Second Printing, very rare Utrom cover art by Kevin Eastman.

Amazing Spider-man #607 J Scott Campbell Variant Cover art of Black Cat

Amazing Spider-man #607 J Scott Campbell Variant Cover art of Black Cat

Marvel Comics Thor #109 So this can happen too. Fair warning. Stan doesn't always read where he should sign.

Marvel Comics Thor #109 So this can happen too. Fair warning. Stan doesn’t always read where he should sign.

Marvel Comics AMAZING SPIDER-MAN #601 Mary Jane cover art by J Scott Campbell, beautifully signed in gold sideways. This is a high grade Newsstand Edition, by the way.

Marvel Comics AMAZING SPIDER-MAN #601 Mary Jane cover art by J Scott Campbell, beautifully signed in gold sideways. This is a high grade Newsstand Edition, by the way.

 

Amazing Spider-man Mary Jane cover by Adi Granov

Amazing Spider-man Mary Jane cover by Adi Granov

New Mutants 100 signed by Fabian Nicezca and Rob Liefeld

New Mutants 100 signed by Fabian Nicezca and Rob Liefeld

Jennifer Blood Risque Topless Virgin Variant Edition, Signed by Tim Bradstreet and soon Garth Ennis

Jennifer Blood Risque Topless Virgin Variant Edition, Signed by Tim Bradstreet and soon Garth Ennis

Amazing Spider-man signed by Joe Jusko

Amazing Spider-man signed by Joe Jusko

Marvel Punisher Action Figure Variant Cover - Signed by Vincent D'Onofrio and Jon Bernthal

Marvel Punisher Action Figure Variant Cover – Signed by Vincent D’Onofrio and Jon Bernthal

Commission by Chad Hardin, artist of Harley Quinn

Commission by Chad Hardin, artist of Harley Quinn

Amazing Spider-man Mary Jane as the Iron Spider, signed by Stan Lee, Alex Ross, and Dan Slott

Amazing Spider-man Mary Jane as the Iron Spider, signed by Stan Lee, Alex Ross, and Dan Slott

Machete movie poster photo variant cover, signed and sketched by Danny Trejo

Machete movie poster photo variant cover, signed and sketched by Danny Trejo

Back to the Future - Signed by Biff Tannen, Tomas F Wilson

Back to the Future – Signed by Biff Tannen, Tomas F Wilson

Star Wars 1 Luke Action Figure Variant Cover - Signed by Mark Hamill

Star Wars 1 Luke Action Figure Variant Cover – Signed by Mark Hamill

That should cover it! If you have any questions email me and I can refine the guide!

Thank you

KaptainMyke

 

Collecting High Grade Newsstand Editions for Investing in Comics

Remember when you could go to the grocery store with mom and get a comic book?  Or maybe the pharmacy?  You could even go to these ancient bookstores called Waldenbooks or B. Dalton Booksellers and could buy a comic book off the spinner rack!   That was a long time ago.  If you are a comic book collector now, in 2017, you buy your comic books on ebay, an online retailer, or even at a local comic store. In almost 30 years, this is what happened to newsstand edition comic books:

Newsstand Editions vs Direct Editions from Comic Retailers

Newsstand Editions vs Direct Editions from Comic Retailers

Because of all of this, I would be mindful and watchful for any 1992 or newer newsstand edition comic books that feature a UPC bar code on the covers – especially if they are high grade. Specifically, any comics that are in a grade of 9.4 or higher and newsstand edition are selling for significantly more money than regular market value. Examples include Batman Adventures 12 Newsstand Edition, and any other modern day key issue book:

1993 DC Comics BATMAN ADVENTURES #12 Newsstand Ed. CBCS 9.4

1993 DC Comics BATMAN ADVENTURES #12 Newsstand Ed. CBCS 9.4

For earlier titles, there are exceptions to the rule. Some comics have the bar code on the back, like Marvel Comics Presents #72.   Any books post 2002 would have a UPC barcode on them no matter what now, but the difference is they all state “DIRECT EDITION”. You are looking for 2002 and newer comic books that have UPC Barcodes that do not show the words “DIRECT EDITION” in bold letters above or below the bar code.

Okay I broke down some maths. Let’s look at Image Comics Spawn #1 by Todd McFarlane.

1992 Image Comics Spawn #1 by Todd McFarlane

1992 Image Comics Spawn #1 by Todd McFarlane

That’s a very publicly well known number having a 1.7 million copy print run in 1992. 15% of comics in 1992 were allegedly newsstand. 225,000 (1/4 million copies) I estimated the newsstand edition to be a 1:1000 ration of rarity. So 1:1000 is not accurate, that was hand grenade accurate. 32 is more accurate. I think it’s even more accurate to say it’s a 3:100. Or, 30 in 1000, if you will. That’s still a very low number. Still rare. But not even a 1:100.

In summary, here’s what you need to know about High Grade Newsstand Collecting for Investing:

  • High grade. 9.4 or higher is ideal. Pressing services for comic books helps greatly!
  • The years for comics in 1972-1990 doesn’t really matter. It was a 50/50 ratio split in distribution of direct editions over newsstand editions.
  • Search for comic books from the years 1990-2001 with UPC bar codes on cover.
  • Search for comics from the years 2002-2017 with bar codes that do not say “DIRECT EDITION”.
  • Newsstand Edition error or recalled books are also wise investments.

You can experiment with this with your own Spawn #1 Newsstand search terms on ebay.  Try it!  This is the new hunt, people!  Have fun! The only place where I can find modern day 2016-2017 newsstand edition comic books is:

  1. Barnes and Nobles bookstores
  2. Books-a-Million bookstores
  3. Wal-mart
  4. Toys R’ Us

Good luck!

Here are some examples of high grade newsstand edition rare covers of J Scott Campbell with his run on Amazing Spider-man. This is some of his earlier work, too:

Amazing Spider-man 476 Newsstand Edition Cover art by J Scott Campbell

Amazing Spider-man 476 Newsstand Edition Cover art by J Scott Campbell

Amazing Spider-man 492 Newsstand Edition Cover art by J Scott Campbell

Amazing Spider-man 492 Newsstand Edition Cover art by J Scott Campbell

Amazing Spider-man 493 Newsstand Edition Cover art by J Scott Campbell

Amazing Spider-man 493 Newsstand Edition Cover art by J Scott Campbell-newsie-001

Amazing Spider-man 601 Newsstand Edition Cover art by J Scott Campbell Very rare

Amazing Spider-man 601 Newsstand Edition Cover art by J Scott Campbell with rare $3.99 cover price.

1991 Marvel Comics Marvel Comics Presents #72 High Grade Newsstand Edition, 9.4 1st Weapon X, origin, etc UPC Bar code is on the back of cover, unlike most newsstand editions from 1991.

1991 Marvel Comics Marvel Comics Presents #72 High Grade Newsstand Edition, 9.4 1st Weapon X, origin, etc UPC Bar code is on the back of cover, unlike most newsstand editions from 1991.

1991 Marvel Comics Marvel Comics Presents #72 High Grade Newsstand Edition, 9.4 1st Weapon X, origin, etc UPC Bar code is on the back of cover, unlike most newsstand editions from 1991.

1991 Marvel Comics Marvel Comics Presents #72 High Grade Newsstand Edition, 9.4 1st Weapon X, origin, etc UPC Bar code is on the back of cover, unlike most newsstand editions from 1991.

New CBCS Graded Comic Books added to ebay

Need a gift for a comic book collector?  Looking for some online shopping deals for one-of-a-kind items?  Check out some of these HOT new books we added to our ebay store!  Are you a fan of Batman, Wolverine, Walking Dead, Star Wars, or Alex Ross, or even STAN LEE?  Check them out:

2015 Liquid Comics Wes Craven's COMING OF RAGE #1 CBCS 9.4 Bloody White Collector's Edition Variant 100 Copy Print Run NM+

2015 Liquid Comics Wes Craven’s COMING OF RAGE #1 CBCS 9.4 Bloody White Collector’s Edition Variant 100 Copy Print Run NM+

2010 Marvel WOLVERINE #1 Signed by JAE LEE CBCS 7.0

2010 Marvel WOLVERINE #1 Signed by JAE LEE CBCS 7.0

2011 DC Detective Comics 1 Signed Tony Daniel CBCS 8.5 Dollmaker

2011 DC Detective Comics 1 Signed Tony Daniel CBCS 8.5 Dollmaker

2011 Marvel UNCANNY X-MEN #544 Signed by STAN LEE CBCS 9.8 Final Issue! CBCS 9.8 GRADED COMIC BOOK SIGNED BY WORLD FAMOUS STAN "THE MAN" LEE!

2011 Marvel UNCANNY X-MEN #544 Signed by STAN LEE CBCS 9.8 Final Issue!
CBCS 9.8 GRADED COMIC BOOK SIGNED BY WORLD FAMOUS STAN “THE MAN” LEE!

2015 Marvel STAR WARS #1 HOT TOPIC Recalled Edition CBCS 9.6 CBCS 9.6 GRADED COMIC BOOK

2015 Marvel STAR WARS #1 HOT TOPIC Recalled Edition CBCS 9.6
CBCS 9.6 GRADED COMIC BOOK

2013 Marvel Comics DEADPOOL #1 Signed by Moore, Posehn, Duggan CBCS 9.4 NM+ CBCS 9.4 GRADED COMIC BOOK SIGNED BY TONY MORE, BRIAN POSEHN, and GERRY DUGGAN! CBCS Verified Signature Program Red Label Deadpool #1 1/2013 Marvel Comics NM+ 9.4 Verified Signature Program Series Red Label CBCS

2013 Marvel Comics DEADPOOL #1 Signed by Moore, Posehn, Duggan CBCS 9.4 NM+
CBCS 9.4 GRADED COMIC BOOK SIGNED BY TONY MORE, BRIAN POSEHN, and GERRY DUGGAN!
CBCS Verified Signature Program Red Label
Deadpool #1
1/2013 Marvel Comics
NM+ 9.4
Verified Signature Program Series Red Label CBCS

2010 Image Firsts Edition WALKING DEAD #1 Signed TONY MOORE 9.8 CBCS 9.8 GRADED COMIC BOOK SIGNED BY original Walking Dead Artist TONY MORE CBCS Verified Signature Program Red Label Image Firsts Printing Walking Dead #1 3/2010 Image Comics NM+ 9.8 Verified Signature Program Series Red Label CBCS

2010 Image Firsts Edition WALKING DEAD #1 Signed TONY MOORE 9.8
CBCS 9.8 GRADED COMIC BOOK SIGNED BY original Walking Dead Artist TONY MORE
CBCS Verified Signature Program Red Label
Image Firsts Printing
Walking Dead #1
3/2010 Image Comics
NM+ 9.8
Verified Signature Program Series Red Label CBCS

2013 Dark Horse STAR WARS #1 Signed by Alex Ross CBCS 9.8 Limited signed and numbered #437/600 CBCS 9.8 GRADED COMIC BOOK SIGNED BY WORLD FAMOUS PAINTER ARTIST ALEX ROSS CBCS Verified Signature Program Red Label 1st Printing Star Wars #1 Dark Horse Comics 2013 Variant: First Printing 9.8 Verified Signature Program Series Red Label CBCS WHITE PAGES YOU ARE BUYING AN INVESTMENT ONLY ONE ON EBAY in 3 YEARS! DYNAMIC FORCES EXTREMELY LIMITED EDITION SIGNATURE SERIES #437/600 Comes with Original COA from Dynamic Forces

2013 Dark Horse STAR WARS #1 Signed by Alex Ross CBCS 9.8 Limited signed and numbered #437/600
CBCS 9.8 GRADED COMIC BOOK SIGNED BY WORLD FAMOUS PAINTER ARTIST ALEX ROSS
CBCS Verified Signature Program Red Label
1st Printing
Star Wars #1
Dark Horse Comics 2013
Variant: First Printing
9.8
Verified Signature Program Series Red Label CBCS
WHITE PAGES
YOU ARE BUYING AN INVESTMENT
ONLY ONE ON EBAY in 3 YEARS!
DYNAMIC FORCES EXTREMELY LIMITED EDITION SIGNATURE SERIES #437/600
Comes with Original COA from Dynamic Forces